Rachika Nayar’s latest release, Heaven Come Crashing, marks a departure from the percussion-free landscape of her debut, Our Hands Against The Dusk. While the album remains largely instrumental and drum-free, it features sudden, jarring rhythmic shifts, most notably a significant drum and bass sequence during the title track.
The record is characterized by heavily processed guitars, trance-inspired chords, and atmospheric drones. Nayar utilizes these sonic textures to examine the darker side of passion and romantic obsession. This thematic focus is highlighted by track titles such as "Death and Limerence" and the bookending tracks "Our Wretched Fantasy" and "Our Wretched Fate," which suggest a critical view of emotional recklessness.
Vocal contributions are sparse, provided exclusively by Maria BC. Her voice appears on the title track and the album's conclusion, often layered beneath dense instrumentation. Throughout the project, Nayar balances moments of maximalist intensity—such as the synth-heavy "Nausea"—with more subdued, ambient compositions.
Heaven Come Crashing is currently available on Bandcamp and major streaming platforms, including Spotify, Apple Music, and YouTube Music.
Source: The Verge
No comments yet. Be the first to share your thoughts.